Michel Warlop/Stephane Grappelli/Eddie South, Lady Be Good

Download the PDF: Concert, Bass Clef, Bb, Eb

Lady Be Good, written by George/Ira Gershwin and performed by: Django Reinhardt, guitar; Michel Warlop, violin I; Stephane Grappelli, violin II; Eddie South, violin III. From the album ‘Django Reinhardt Crazy Rhythm,’ released on the Iris Records, recorded in 1937.

This is the third transcription I’ve done in a row featuring Stephane Grappelli, and after this one I’ll do something different – but this trifecta of violin solos was just too cool to pass up.

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Tom Harrell, Joy Spring (unaccompanied solo)

(photo credit: Claus Willemer)

Joy Spring, written by Clifford Brown and performed by Tom Harrell.  From Brownie: Homage to Clifford Brown, released 1994 on Polygram Records.

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Download the PDF: BbEb, CBass Clef

Legendary. That’s all I’ve got to say about this solo. Legendary.

Seriously, that’s not all I have to say. First of all, let me just issue an official promise to our readers that my next transcription will not be a trumpet player. Trumpet players, I am sorry. That being said, I just heard this track for the first time a few weeks ago and I knew I had to transcribe it. It’s just so amazing. Continue reading

If I Were A Classical Musician

A Premier at Le Poisson Rouge, NYC. Courtesy http://www.brooklynvegan.com

Next month, I will graduate from the U of MN with a Masters degree in trumpet performance. My studies in my Masters program have been primarily in the classical trumpet field, though I did serve as the jazz theory TA for a semester, and have taken jazz comp lessons for three semesters (I have a BA in Jazz Studies). So when I say “If I were a classical musician….” I mean to say that I do not identify as a classical musician because the majority of the playing I do professionally is in a jazz setting.

So…If I were a classical musician, I would be treating my art as if I were a jazz musician. Jazz musicians are self-made performers. They grind it out searching for clubs that will have their music and pay them a little money to play it. When they’re not playing a gig, they’re likely practicing, transcribing, rehearsing or blogging about their art. They are visible, and they treat themselves sort of the same way a rock band might. You promote your music, play in clubs, and try and build a fan base. Really, jazz musicians look at themselves as independent musicians. Period. Not “jazz musicians,” just “musicians.” This at least does away with all the recent “jazz is dead” talk, and allows you to simply function as someone who makes good music. If you make good music, and you believe people will enjoy it, then who cares what it is called?

So why are classical musicians not acting this way? Continue reading