There Will Never Be Another You, Sonny Stitt

Photo by Tom Marcello

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Download the Transcription: EbBbCBass Clef

This track came from a compilation album called The Art of the Jazz Saxophone: Bebop & Beyond.  Unfortunately I do not know the original album that this track appeared on or the other artists that are present on it.  If someone else does please let me know so I can update that information.

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Joe Henderson, Isfahan

With Neil Swainson, bass, at Harpo's, Victoria. Photo by Guy MacPherson

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Download the transcription: EbBbCBass Clef

“Isfahan” composed by Duke Ellington and Billy Strayhorn and performed by Joe Henderson, Tenor Sax; Christian McBride, Bass.  From Lush Life: The Music of Billy StrayhornVerve Records 1992.

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Clifford Brown and Harold Land, The Blues Walk

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This album is pretty special to me because it was one of the first jazz albums I ever really got into.  Harold Land and Clifford Brown are probably the first two jazz musicians that I really studied and tried to emulate and have had quite an influence on me.  This selection in particular has stuck with me a) because it’s just really fun to listen to Clifford and Harold trading all the way down to 1/2 measures and b) it demonstrates a high level of communication between these musicians.

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Chris Potter, All the Things You Are

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Download the Transcription: Tenor Sax, Concert Pitch

To anyone that knows me it’s no secret that Chris Potter is one of my favorite musicians and this recording is a prime example of why.  I’ve heard a number of criticisms about this recording citing that it is too technical and not very musical.  While I patently disagree (true it is very technical, but I find it to be extremely musical as well) I think given the context of the recording, a masterclass at Youngstown University, it makes perfect sense that Chris would emphasize his virtuosic ability as a way of demonstrating what is possible as a saxophonist and as an improvising musician.

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Chris Potter, Boogie Stop Shuffle

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General Thoughts

This is a short and sweet little Chris Potter solo at about 3 minutes and 30 seconds.  I chose to transcribe this recording for several reasons:

  • I like the melody a lot and wanted to learn it
  • As a saxophonist, this is a challenging yet accessible solo with some great language
  • It just sounded like it would be a lot of fun to play!

This solo was recorded early in Chris’ career and while it is still clearly a ‘Chris Potter solo’ it is vastly different from the complexity in which you would find on his later works such as Lift, Follow the Red Line, or Underground.  Chris also recorded “Boogie Stop Shuffle” almost 10 years later on his album Lift and I think it will be very interesting to compare the differences between the two.

I think this solo is a really great example of using themes, motives and variations to develop a well thought out solo…one that ‘tells a story’ as it were.

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